Mark Aspinall

Mark won the 2025 Laurence Olivier award for Outstanding Musical Contribution for his work on The Curious Case of Benjamin Button.

Musical Supervisor credits include: The Curious Case of Benjamin Button (Ambassador’s Theatre – Winner “Best New Musical” – Oliviers 2025), The Lord of the Rings (Sydney State Theatre, Watermill and Worldwide), Fiddler on the Roof (Regent’s Park Open Air Theatre – Winner “Best Musical Revival” – Oliviers 2025), Titanic (UK and International Tours, Worldwide Cinemas), Ragtime (Charing Cross Theatre).

Musical Director credits include: Sinatra (Birmingham Rep), Anything Goes (Barbican/UK Tour), City of Angels (Garrick Theatre), Perfect Show for Rachel (Barbican), West Side Story, Guys and Dolls and Sweet Charity (Royal Exchange, Manchester), The Band (UK Tour), Three Phantoms (Parisian Theatre), The Wicker Husband (Workshop), Travels With My Aunt (World Premiere, Chichester Festival Theatre), The Smallest Show On Earth (World Premiere, UK tour), Titanic (Princess of Wales, Toronto & Southwark Playhouse), The Roles I’ll Never Play (St. James Theatre), Mack And Mabel (Southwark Playhouse), Cinderella (Qdos, Cliffs Pavilion).

Assistant Musical Director credits include: & Juliet (Manchester), City of Angels (Donmar Warehouse), The Pajama Game (Shaftesbury Theatre).

Film credits include: The End (2024), Cyrano (2022), Jingle Jangle (2020), Cats (2019). Mark’s orchestrations for actor-musicians are being performed in The Curious Case of Benjamin Button (Ambassador’s) and The Lord of The Rings (Australian Tour). Previous orchestration work includes Ragtime (Charing Cross Theatre) and additional orchestrations for Fiddler on the Roof (Regent’s Park Open Air Theatre).