鄭嘉欣Choreographer
鄭嘉欣Choreographer



























Joseph Stein won the Tony Award and Drama Critics Circle Award for Fiddler on the Roof.
His other musicals include Zorba (Tony nomination, Drama Critics Circle Award); Rags (Tony nomination); The Baker’s Wife (Olivier Award nomination, London); Take Me Along (Tony nomination); Juno; Irene (starring Debbie Reynolds); The King of Hearts; All About Us; and Enter Laughing: The Musical (Lucille Lortel nomination, outstanding revival). He also co-authored, with Alan Jay Lerner, Carmelina; and with Will Glickman, Mr. Wonderful (starring Sammy Davis, Jr.), The Body Beautiful, and Plain and Fancy. His plays are Enter Laughing, Before the Dawn, and Mrs. Gibbons’ Boys.
Stein grew up in the Bronx and first became a social worker while pursuing writing on the side. He began his career in TV and radio, writing for The Sid Caesar Show, Your Show of Shows, Henry Morgan Show and many others, and for personalities including Tallulah Bankhead, Phil Silvers, Jackie Gleason and Zero Mostel. On Broadway he made his debut contributing to the theatrical revues Lend an Ear (featuring Carol Channing) and Alive and Kicking. He wrote the screenplays of Enter Laughing and Fiddler on the Roof, for which he won the Screen Writers Guild Award. In 2008, he was inducted into the Theatre Hall of Fame.
Sheldon Harnick’s career began in the 1950s with songs in revues e.g. The Boston Beguine, The Merry Little Minuet.
With Jerry Bock he created a number of memorable musicals, including Fiorello! (Tony Award, Pulitzer Prize), Tenderloin, She Loves Me (Grammy), Fiddler on the Roof (Tony), The Apple Tree, and The Rothschilds (subsequently revised as Rothschild & Sons).
Other collaborations: Rex (Richard Rodgers), A Christmas Carol (Michel Legrand), A Wonderful Life (Joe Raposo), The Phantom Tollbooth (Arnold Black, Norton Juster), and The Audition (Marvin Hamlisch). He wrote three musicals himself: Dragons, A Doctor in Spite of Himself, and Malpractice Makes Perfect.
Jerry Bock was born in New Haven, Connecticut on November 23rd, 1928. That was his first out-of-town try out.
Thirty years later, he and Sheldon Harnick gave birth to The Body Beautiful in Philadelphia. That was his fourth out-of-town try out. In between was Catch a Star, a fleeting revue that, according to critic Walter Kerr, posed the question; “What do you call something between a flop and a smash?” Kerr’s answer? “A flash”. Next, Jule Styne and Tommy Valano midwifed Bock, Larr Holofcener and George Weiss into birthing Mr. Wonderful starring Sammy Davis Jr. The title song and “Too Close For Comfort” are still active off springs.
Bock and Harnick’s celebrated collaboration yielded five scores in seven years. The Body Beautiful, Fiorello! (winner of Broadway’s triple crown: The Tony Award, The New York Critics’ Circle Award and The Pulitzer Prize in drama, the fourth musical to do so). Tenderloin, She Loves Me – (winner of Variety’s poll of critics as best musical, citing Bock and Harnick as best composer and lyricist). Fiddler on the Roof — (nine Tonys, notably the citation for best musical of the year), The Apple Tree and The Rothschilds.
In addition to the 1989 silver anniversary production of Fiddler (from which a major excerpt was featured in Jerome Robbins’ Broadway), a highly esteemed revival of The Rothschilds enjoyed a successful run off-Broadway the following year. Since then, Bock and Harnick were triply honored by being inducted into the Theater Hall of Fame, receiving the Johnny Mercer Award from the Songwriters Hall of Fame and the Spirit of American Creativity Award from the Foundation for a Creative America. But the “award” that Bock held near and dear was the honorary Doctor of Humane Letters degree from the University of Wisconsin. It was there that he met his wife Patti, and it was there that he decided to be a composer. Mr. Bock was a member of a number of professional guilds and associations, among which the BMI Foundation, Inc. was a membership he relished. As for Patti, his wife, George, their son and Portia, their daughter, Bock confessed they were his longest running hit. Jerry Bock passed away in 2010.
JEROME ROBBINS is world renowned for his work as a choreographer of ballets as well as his work as a choreographer and director in theater, movies and television. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. His last Broadway production in 1989, Jerome Robbins Broadway, won six Tony Awards including best musical and best director.
Among the more than 60 ballets he created are Fancy Free, Afternoon of a Faun, The Concert, Dances At a Gathering, In the Night, In G Major, Other Dances, Glass Pieces and Ives, Songs, which are in the repertories of New York City Ballet and other major dance companies throughout the world. His last ballets include A Suite of Dances created for Mikhail Baryshnikov (1994), 2 & 3 Part Inventions (1994), West Side Story Suite (1995) and Brandenburg (1996).
In addition to two Academy Awards for the film West Side Story, Mr. Robbins has received four Tony Awards, five Donaldson Awards, an Emmy Award, the Screen Directors’ Guild Award, and the New York Drama Critics Circle Award. Mr. Robbins was a 1981 Kennedy Center Honors Recipient and was awarded the French Chevalier dans l’Ordre National de la Legion d’Honneur. Mr. Robbins died in 1998.
Select Credits: Fiddler On The Roof (Regent’s Park Open Art Theatre: Olivier Award for Best Musical Revival), Dark Disabled Stories (Public Theater & Bushwick Starr: Obie Award for Best New American Play); Rags Parkland Sings The Songs of The Future (Ars Nova: Lucille Lortel Award for Outstanding New Musical); Singlet (The Bushwick Starr); A Ride On The Irish Cream (American Realness Festival, American Repertory Theater); The Miserly Knight and The Dead City (Bard Summerscape); Dialogues of The Carmelites (Opera Philadelphia/Curtis Opera Theatre).
Jordan co-directed the London transfer of Rodgers & Hammerstein’s Oklahoma! at The Young Vic (Olivier Award for Best Revival of a Musical) and was the Associate Director for the 2019 Broadway Revival (Tony Award for Best Revival of a Musical). He is the Director of The Prologue and Associate Director on the current West End and Broadway revival of Kander and Ebb’s Cabaret (Olivier Award for Best Revival of a Musical).
Upcoming: Jordan will direct a new production of Stephen Sondheim and James Lapine’s Into The Woods at The Bridge Theatre, premiering December 2025.
Tom’s work as Set Designer, Costume Designer and Director spans Live Music, Theatre, Opera, Dance, Fashion and Exhibition.
Amongst his collaborators are Alexander McQueen, The Pet Shop Boys, Self Esteem, Christine and the Queens, Sam Smith, Olivier Sim, MTV, V&A, Akram Khan Co, Hofesh Shechter Co, Rebecca Frecknall, Jordan Fein, Nadia Latif and Carrie Cracknell. Over the last 18 years his designs have appeared on Broadway and the West End, The Metropolitan Opera House – New York, Royal Danish Opera – Copenhagen, Canadian Opera – Toronto, Greek National Opera – Athens, Opera Australia – Melbourne, The Royal Opera House – London, ENO, Scottish Opera, Opera North, Regents Park Open Air Theatre, the National Theatre, the RSC, the Almeida, the Donmar Warehouse and the Lyric Theatre.
Awards include: Olivier Award ‘Best Set Design’ 2025 — Fiddler On The Roof, Tony Award ‘Best Scenic Design of a Musical’ 2024 – Cabaret at the Kit Kat Club NYC, Evening Standard Award and Critics Circle Award ‘Best Design’ 2022 – Cabaret at the Kit Kat Club LDN, Critics Circle Award ‘Best Design’ 2019 – A Very Expensive Poison, Whatsonstage award ‘Best Set Design’ 2013 – Constellations & 2019 – Little Shop of Horrors. Civic Trust Pro Tem Award (2023), Linbury Prize for Stage Design 2007. RIBA National and London award for Kit Kat Club at The Playhouse (2023).
Award Nominations Include: Olivier Award nominations ‘Best Costume Design’ 2025 – Fiddler on the Roof and 2022 – Cabaret at the Kit Kat Club LDN. Tony Award nominations ‘Best Costume Design for a Musical’ 2024 — Cabaret at the Kit Kat Club NYC and ‘Best Costume Designer for a Play’ 2016 – King Charles III. Stage Debut award nominations ‘Best Director’ 2019 – Berberian Sound Studio.
Julia Cheng’s work as a creative director and choreographer has been presented internationally, including her critically acclaimed choreography on Cabaret at the Kit Kat Club in London’s West End and on Broadway. It was also nominated for the 2022 Olivier Award (Best Theatre Choreography), 2024 Chita Rivera Award (Outstanding Choreography), and the winner of Stage Debut Awards.
Recent work includes Fiddler on The Roof at Regent’s Park Open Air Theatre, winner of Olivier Awards 2025 for Best Musical Revival and also nominated for Best Theatre Choreography as well as Best Choreography at WhatsOnStage Award 2025.
She has received commissions from Sadler’s Wells, V&A Museum, Institute of Contemporary Art, Royal Opera House, Royal Shakespeare Company, Kings Place, Scottish Ballet, Regent’s Park Open Air Theatre, London Jazz Festival, and Wilderness Festival, among many others. She believes in crossing boundaries of creative contexts, and the ability to challenge the ecology of the artistic landscape. From 2025 until 2028, Julia will be Artist-in-Residence at Southbank Centre.
Collaborators include Philharmonia Orchestra, poet Lavinia Greenlaw, musicians Shingai, Floacist, composer Simon McCorry, artist/sculptor Laila Muraywid, curator Kerry Campbell, and theatre director/activist Daniel York-Loh, and also featured in campaigns for Dr Martens, Wella, Audi, Honda, and Vogue Italia.
Theatre credits include: Kyoto (RSC/Soho Place); Twelfth Night (Regents Park Open Air Theatre); Dracula (National Theatre Scotland); Tess of the d’Ubervilles (Peacock Theatre); Lemons Lemons Lemons Lemons Lemons (Pinter Theatre); You Bury Me (Bristol Old Vic); Duet For One (Orange Tree); The Clothes They Stood Up In (Nottingham Playhouse); Wonder Boy (Bristol Old Vic); Running With Lions (Lyric Hammersmith); Hamlet (Young Vic); Old Bridge (Bush Theatre); A Kind Of People (Royal Court); Death of a Salesman (Young Vic & Piccadilly Theatre); A Monster Calls (Old Vic / Bristol Old Vic / Parco Japan); Brighton Rock (York Theatre Royal); La Strada (The Other Palace); Jane Eyre & Peter Pan (National Theatre & Bristol Old Vic); Hetty Feather (Duke of York); A Raisin in the Sun (Sheffield Theatre).
Musical credits include: Fiddler On The Roof, Carousel (Regents Park Open Air Theatre); Talent (Sheffield Theatre); Now Is Good (Storyhouse); Worst Witch (Vaudeville).
Dance credits include: Outwitting The Devil and Kaash (Akram Khan Co); Darbar Festival (Sadlers Wells); Unkindest Cut (Sadhana); Time Over Distance Over Time (Liz Roche); La Tete (Jasmin Vardimon).
Opera credits include: Ariodante, Turn of the Screw, The Marriage of Figaro, A Midsummers Night’s Dream, Mary Queen of Scots, Cosi Fan Tutte, Jenufa and Tosca (English Touring Opera).
Architectural credits include: Sadlers Wells East Foyer.
Olivier nomination 2025 for Best Lighting Design (Fiddler on the Roof). Profile Award Honorable Mention 2024 for Dracula Mina’s Reckoning. Knights of Illumination nomination 2019 for Best Lighting Design (Death of A Salesman).
Theatre credits include: Cabaret @ The Kit Kat Club London & August Wilson NY; Tammy Faye (The Palace Theater NY); Natasha and Pierre and the Great Comet of 1812 (Donmar Warehouse); Fiddler on the Roof & La Cage Aux Folles (OAT RP); Yeomen of the Guard (ENO); Jesus Christ Superstar (50th Anniversary US & UK & Australia Tour); Evita; Little Shop of Horrors; The Turn of the Screw (OAT RP); City of Angels (Garrick); Sweet Charity, Pacific Overtures, Parade, Passion, Spelling Bee, The Vote (also Channel 4), Committee… (Donmar Warehouse); Martin Guerre (UK Tour); Miss Saigon (UK Tour/Japan/Sweden); Les Misérables (UK Tour/Berlin/Belfast/Scandinavian Arena Concert Tour); Sweeney Todd (Royal Opera House/ENO); Chitty Chitty Bang Bang (UK Tour); Sinatra (Palladium/UK Tour); Nicholas Nickleby (Chichester Festival); On the Town (ENO); Mother Courage (National Theatre); Privates on Parade (Noel Coward); A Chorus Line (Palladium); Urinetown (Apollo); The Last Five Years (The Other Palace); Kiss Me, Kate (Opera North/UK & European Tour); Calendar Girls (UK Tour); The Band (UK Tour/Berlin).
Awards include: 2024 Drama Desk Award for Best Sound Design, Cabaret at The Kit Kat Club, 2024 Tony Award Nomination for Best Sound Design, Cabaret at The Kit Kat Club, August Wilson NY, 2022 Olivier Award for Best Sound Design, Cabaret at The Kit Kat Club London. 2025 Olivier Award for Best Sound Design, Fiddler on the Roof at Regent’s Park Open Air Theatre.
Olivier Award Nominations for Jesus Christ Superstar (OAT RP); Pacific Overtures (Donmar Warehouse); Parade (Donmar Warehouse); Mother Courage (NT).
Mark won the 2025 Laurence Olivier award for Outstanding Musical Contribution for his work on The Curious Case of Benjamin Button.
Musical Supervisor credits include: The Curious Case of Benjamin Button (Ambassador’s Theatre – Winner “Best New Musical” – Oliviers 2025), The Lord of the Rings (Sydney State Theatre, Watermill and Worldwide), Fiddler on the Roof (Regent’s Park Open Air Theatre – Winner “Best Musical Revival” – Oliviers 2025), Titanic (UK and International Tours, Worldwide Cinemas), Ragtime (Charing Cross Theatre).
Musical Director credits include: Sinatra (Birmingham Rep), Anything Goes (Barbican/UK Tour), City of Angels (Garrick Theatre), Perfect Show for Rachel (Barbican), West Side Story, Guys and Dolls and Sweet Charity (Royal Exchange, Manchester), The Band (UK Tour), Three Phantoms (Parisian Theatre), The Wicker Husband (Workshop), Travels With My Aunt (World Premiere, Chichester Festival Theatre), The Smallest Show On Earth (World Premiere, UK tour), Titanic (Princess of Wales, Toronto & Southwark Playhouse), The Roles I’ll Never Play (St. James Theatre), Mack And Mabel (Southwark Playhouse), Cinderella (Qdos, Cliffs Pavilion).
Assistant Musical Director credits include: & Juliet (Manchester), City of Angels (Donmar Warehouse), The Pajama Game (Shaftesbury Theatre).
Film credits include: The End (2024), Cyrano (2022), Jingle Jangle (2020), Cats (2019). Mark’s orchestrations for actor-musicians are being performed in The Curious Case of Benjamin Button (Ambassador’s) and The Lord of The Rings (Australian Tour). Previous orchestration work includes Ragtime (Charing Cross Theatre) and additional orchestrations for Fiddler on the Roof (Regent’s Park Open Air Theatre).
Nina began her career at the National Opera and Ballet in Amsterdam, then spent nearly a decade at the Royal Opera House in London before moving into the West End and Film/TV industries.
Theatre includes: & Juliet (UK Tour); Harry Potter and the Cursed Child (London, Hamburg, Tokyo); Spring Awakening (Almeida Theatre); Midsummer Night’s Dream (Bridge Theatre); Orpheus Descending (Chocolate Factory/Theatre Clwyd); Company (West End).
Television and Film includes: The Serpent Queen; Prisoners of Paradise.
Stuart is the recipient of 5 CDG Awards for best casting in theatre.
Credits include: Sunset Boulevard (Broadway/Savoy Theatre. Olivier Award for Best Musical Revival); Much Ado About Nothing, The Tempest (Theatre Royal Drury Lane); Standing at the Sky’s Edge (Gillian Lynne Theatre/National Theatre/Sheffield Theatres. Olivier Award for Best New Musical); Romeo and Juliet (Duke of York’s Theatre); Cabaret (Kit Kat Club/Playhouse Theatre. Olivier Award for Best Musical Revival); Sister Act (Dominion Theatre/Eventim Apollo/UK Tour); Little Shop of Horrors (Regent’s Park Open Air Theatre); Muriel’s Wedding (Leicester Curve); Just For One Day (Old Vic/Toronto); Mrs Doubtfire (Shaftesbury Theatre/Manchester Opera House); Sylvia (Old Vic); The Seagull (Harold Pinter Theatre. Nominated for WhatsOnStage Award for Best Casting Direction); Chariots of Fire, White Christmas, Miss Saigon, She Loves Me, Guys and Dolls (Sheffield Crucible); Here You Come Again (Leeds Playhouse/Riverside Studios/UK Tour); The Outrun (Edinburgh International Festival); & Juliet (Shaftesbury Theatre/UK Tour); Cyrano de Bergerac (Playhouse Theatre/Theatre Royal Glasgow/BAM); The Drifters Girl (Garrick Theatre); Joseph and the Amazing Technicolor Dreamcoat (London Palladium/UK Tour/Toronto); East is East (National Theatre/Birmingham Rep); Betrayal (Harold Pinter Theatre/Broadway); Pinter at the Pinter (Harold Pinter Theatre); The Two Character Play (Hampstead Theatre); The Seagull, A Doll’s House (Lyric Hammersmith); The Rocky Horror Show (UK Tour/European Tour); The Madness of George III (Nottingham Playhouse); Doctor Faustus (Duke of York’s); The Maids, The Homecoming, The Hothouse, The Ruling Class, Richard III, Macbeth, The Spoils, Buried Child, The Pride (Trafalgar Studios); The End of Longing, Women on the Verge of a Nervous Breakdown (Playhouse Theatre).
Film & TV credits include: The Ashley Madison Affair (Hulu); Dance 100 (Netflix); Locked Up Abroad (National Geographic); Dr Seuss’ The Grinch Musical! (NBC/Sky); Everybody’s Talking About Jamie (Ballroom Dancer Casting. Warp Pictures).

Training: National Theatre Drama School
Theatre credits include: Alternate Doc Brown Back to the Future (Crossroads Live) Sheldrake in Sunset Boulevard (GWB Australasian Tour), Martin & Others Candide (Victorian Opera), Standby in Bloom (Melbourne Theatre Company), Ignaz, Marcel & Others in Driftwood, Auctioneer, U/S Firman, Swing and Others in Phantom of the Opera (Original Australian and 2022 Opera Australia production), Babkak and U/S Genie U/S in Disney’s Aladdin (Australasia tour), Curveball in Who’s Your Baghdaddy, 25th Anniversary Concert of Jekyll & Hyde, Feuilly, Combfare, Jean Prouviere, U/S Val Jean and Thednardier in Les Misérables (Original and 10th Anniversary Australian productions and West End), Buddy Fidler/Irwin in City of Angels (Life Like Touring), Tobarro in La Cage Aux Folles (The Production Company), Lombardi in Passion (Life Like Touring), Protean and U/S Marcus Lycus in A Funny Thing Happened on the Way to the Forum (Melbourne Theatre Company), Samuel in The Pirates of Penzance (The Production Company),Von Hustler, U/S Admiral Boom and Park Keeper in Mary Poppins (Disney Theatrical Productions), Rusty Charlie, U/S Nathan, Nicely Nicely and Big Jule in Guys and Dolls (Donmar Warehouse and Australia), Mame (The Production Company), Herman in Sweet Charity (The Production Company), Kleiman in Mack and Mabel (The Production Company), Building Manager and Others, U/S 5 Roles in The Drowsy Chaperone (Melbourne Theatre Company), Prince, U/S Brit, Kashoggi and Pop in We Will Rock You (Louise Withers and Associates), Homer, U/S Clyde & Fiddel in The Witches of Eastwick (Jacobsen Ent), Tim in Noises Off (Ensemble Theatre), Gershwin in Jolson, Captain Shultz and U/S John in Miss Saigon (Cameron Mackintosh), The Bullfrog in Honk (SRT), Captain Able Coffin in Chang & Eng (Action Theatre Asia), Masterpiece: The Music of Andrew Lloyd (Really Useful Group), Fakir in The Secret Garden (Gordon Frost Organisation), Woof in Hair (EH&W), Chess, Slightly in Peter Pan (Gary Ginivan) The Artful Dodger in Oliver (Adelaide Festival Trust and Cameron Mackintosh).
Film and Television credits include: Fires, Love Me, Seabee in South Pacific, Soloist in Les Misérables at Windsor Castle (BBC), Forensic Investigation, Denise (Nine Network), Good Morning Australia (Network 10), Conkey in Saturdee (Seven Network). Troy can be heard on the Australian Cast Recordings and Soundtracks of Mary Poppins, Hair, the South Pacific TV Movie and Rob Guest’s Standing Ovation.

Training: Western Australian Academy of Performing Arts (WAAPA).
Select Australian Theatre Credits Include: Anne Frank in Anne Being Frank (Sydney Opera House), Lil in Troupers (Sydney Theatre Company), Chana in The God of Isaac (Eternity Playhouse), Mary O’Brien in Dusty (Original Australian Touring Company), Marianne in Shout! The Legend of the Wild One (Australian Tour), Aurora in Kiss of the Spider Woman (Darlinghurst Theatre Company), Erika Stern in Club Gelbe Stern (Adelaide Cabaret Festival)
Select New York / US Credits Include: Anne Being Frank (Off-Broadway), Atomic (Off-Broadway), Club Gelbe Stern (New York Musical Theatre Festival), Cabaret (Florida Studio Theatre), The Hatpin (New York Musical Theatre Festival), Secret of Our Souls (New York Fringe).
Cabaret/Solo Credits Include: Club Gelbe Stern (New York Musical Theatre Festival/International Tour), Amy Winehouse: Resurrected (City Winery, NYC/Australian Tour), Boychiks of Broadway (Pangea NYC/Australian Tour), Alexis Fishman in Concert (54 Below, NYC/Sound Lounge, Sydney), Australicana (Triad Theatre, NYC), What I’ve Learnt (Ella’s Music Club, Melbourne), and Alexis Live at Claire’s (Claire’s Kitchen, Sydney).
Television and Film Credits Include: Friends from College (Netflix) and The Promised Land (Jewish International Film Festival).
Awards Include: BroadwayWorld Award for Anne Being Frank (Best Solo Performance, Best Off-Broadway Production), New York Musical Theatre Festival Award for Club Gelbe Stern (Outstanding Individual Performance), New York Musical Theatre Festival Next Broadway Sensation (Winner), Helpmann Award nomination for Dusty (Best Supporting Actress in a Musical), and Adelaide Theatre Guide Award nomination for Dusty (Best Supporting Actress in a Musical).

Theatre Credits Include: Mother Play (MTC), The Seagull (STC), The Lifespan of a Fact (STC), Fiddler on the Roof, The Effect (MTC), A Streetcar Named Desire (Black Swan), A Little Night Music (Opera Australia), Talking Heads: Her Big Chance, Betrayal (MTC), The Blue Room (MTC), Betrayal (MTC), Love Letters Special (Ballarat Regent Theatre).
Feature Film Credits Include: Slant, Scare Campaign, BFFs, Face to Face, Inspector Gadget II, The Pact, Love in Ambush, Whipping Boy, Over the Hill, Return to Snowy River, The Lighthorsemen, Slate, Wyn & Me, Best Enemies, Street Hero, Duet for Four, The Man from Snowy River, One More Minute, The Getting of Wisdom, The King of Two Day Wonder, The F.J. Holden.
Television Credits Include: Darby & Joan S2 (ABC/Acorn TV), Amazing Grace (Playmaker Media/Nine), SeaChange (ABC), Lambs of God (Lingo Productions/Foxtel), Orange Is the New Brown (Screentime), Wentworth (FremantleMedia Australia), The Code (Playmaker), Peter Allen: Not the Boy Next Door (Seven Network), #7DaysLater (ABC), Underbelly: The Golden Mile (Nine Network), Dream Life (Porchlight Films/MTV), Nightmares and Dreamscapes (TNT), Little Oberon (Nine Network), MDA (ABC), Love in Ambush (David Hannay Productions), Trapped in Space (Paramount), G.P. (ABC), The Feds (Nine Network), Paradise (CBS), The Far Country (Seven Network), Great Expectations: The Untold Story (ABC), The Comedy Company (Network Ten), All the Rivers Run (Seven Network), The Sullivans (Nine Network), Bellamy (Network Ten), I Can Jump Puddles (ABC), Outbreak of Love (ABC), Skyways (Seven Network), Players in the Gallery (ABC), Prisoner (Network Ten), Chopper Squad (Network Ten), Case for the Defence (Nine Network), Father, Dear Father in Australia (Seven Network), Glenview High (Seven Network), Cop Shop (Seven Network), Young Ramsay (Seven Network), Bobby Dazzler (Seven Network), Bellbird (ABC), Certain Women (ABC), Bluey (Seven Network), Matlock Police (Network Ten), Division 4 (Nine Network), Boy in the Bush (ABC), 1915 (ABC), Homicide (Seven Network), The Last Outlaw (Seven Network).

Training: Victorian College of the Arts, BFA (Music Theatre) 2024.
SHOWFIT (2021).
Theatre Credits Include: Music Theatre: Curtains, Spring Awakening, Heathers, Marry Me a Little (VCA). Theatre: The Bacchae (Melbourne Festival) Yiddish Divas (Kadimah Theatre). Concerts: Morning Melodies (Arts Centre Melbourne), Yid! (WOMADelaide International Festival). Film Credits Include: Nice Jewish Girl (Short).

Training: Western Academy of Performing Arts (WAAPA).
Theatre Credits Include: Ensemble/Cover in Head Over Heels (Hayes Theatre), Pinocchio in Pinocchio (Regal Theatre), Nikki Keating in I’m With Her (Perth Festival), Soloist/Ensemble in The World Goes Round (WAAPA), Ensemble in Head Over Heels (WAAPA), Paulette/Dance Capt. in Legally Blonde (WAAPA), Placard Girl in Reefer Madness (WAAPA), Ensemble in Footloose (WAAPA), Nurse in Romeo and Juliet (WAAPA), Jesus in Godspell (WAAPA), Evie May in Evie May (WAAPA).

Training: Victorian College of the Arts (BFA Music Theatre).
Theatre Credits Include: Ensemble in the Australian and Asian tour of Sunset Boulevard (Opera Australia/GWB Entertainment), Poopsie in The Pyjama Game (Neglected Musicals), On-Stage Swing/Ballet Girls Cover in Billy Elliot (Matt Ward Entertainment), Betty and U/S Cynthia Weil in Beautiful: The Carole King Musical (Matt Ward Entertainment), Colette and Cagelle in La Cage Aux Folles (Showtune Productions), Dance Captain and On-Stage Swing in Bonnie and Clyde (Josh Robson Productions).
Caity is honoured to be making her principal debut as Chava in Fiddler On The Roof.

Training: Sydney Conservatorium of Music
Theatre Credits: Stories from the Violins of Hope
Current Positions: Director of SHIR, the Australian Jewish Music Festival; founder and leader of Jewish klezmer fusion band CHUTNEY; founder and leader of Nomad String Quartet; Musical Curator at Emanuel Synagogue; violinist with gypsy band Monsieur Camembert
Solo Appearances: Bruch – Scottish Fantasy (Balmain Sinfonia); Mendelssohn – Violin Concerto (Sydney University Symphony Orchestra); Vivaldi – Summer (Australian Chamber Orchestra and ACO Collective)
Live Events: performances at Sydney Opera House Concert Hall and Forecourt, Sydney Town Hall, Government House NSW, International Convention Centre, City Recital Hall Angel Place, State Theatre (Sydney); Government House (ACT); Hamer Hall, Melbourne Recital Centre, The Athenaeum, The National (Melbourne)
International Appearances: performances in Paris, London, Kuhmo (Finland), Verona, Mantua, Toronto, New York City, Modi’in (Israel), Fukuoka (Japan)
Recordings: ‘Ajar’, debut album of CHUTNEY – winner of Triple Gold Medal at the Global Music Awards (San Diego)
Festival Appearances: National Folk Festival, CresFest, Illawarra Folk Festival, Sydney Festival, Limmud Oz Festival (with CHUTNEY); Bellingen Muse Festival (with Nomad String Quartet)

Training: Victorian College of the Arts.
Theatre Credits Include: Music Theatre: Little Shop of Horrors (Woodward Productions), Jersey Boys (Prospero Arts), Pirates of Penzance, Assassins (Hayes Theatre Company), Rebel (JAMMD Productions), Hair the Musical (Australian Shakespeare Company). The Grinning Man (Vass Productions), Bananaland (Sydney & Brisbane Festivals), Moulin Rouge The Musical Australian Tour, Muriel’s Wedding (Global Creature), Assassins (Sydney Opera House/Luckiest Productions), Green Day’s American Idiot (Shake & Stir Theatre/QPAC). Theatre; Twelfth Night (Melbourne Shakespeare Company), Wind in the Willows (Australian Shakespeare Company), Daddy (KCT Theatre), Dreamsong (Ebbflow Theatre), How to Disappear and Never Be Completely Found (Company 16).
Television Credits include: Bay of Fires Series 2.
Webseries include: The Five Minute Call.

Training: The Victorian College of The Arts (VCA).
Theatre Credits Include: Fleance and Son of MacDuff in Macbeth (dir. Michael Attenborough / Queensland Theatre Company), Tobi and Jeremy understudy in Chitty Chitty Bang Bang (dir. Roger Hodgman / QPAC), Kurt in The Sound of Music (dir. Anton Luitingh / NZ Cast [International Tour]), Young Ebenezer in A Christmas Carol (dir. Matthew Warchus / Melbourne Comedy Theatre), cover Brent in Ghost Quartet (dir. Brandon Pape / Antipodes Theatre / Hayes Theatre Co), Love & Information (dir. Belle Hansen / Theatre Works), and Eamon in Once (dir. Pip Mushin / AG Theatre).
Television Credits Include: Freddo in Molly (dir. Kevin Carlin), Angus in The InBESTigators (dir. Wayne Hope), and Keith Finton in Neighbours (Freemantle Media).

Training: Jacob completed his first year of the Bachelor of Music Theatre at the Victorian College of the Arts (before being cast in a professional role), as well as training in Jazz, Ballet, Tap, Acro, Musical Theatre and Contemporary under Renie Ann Martini OAM at the May Downs School of Dance, as well as jazz and tap under Jodie Greenwood at Upstage Dance Academy.
Theatre Credits include: Mary Poppins the Musical for Michael Cassel Group, the inaugural Australian ensemble for Groundhog Day the Musical (GWB Entertainment), Joe Byrne in Victora Opera’s original production Ned Kelly: The Musical, Reginald/Ensemble in the Australian Tour of Back to the Future: The Musical, Young Buddy in Follies for Victorian Opera, Seaweed J. Stubbs in Hairspray at Crown Theatre Perth and Ted Hanover in Irvin Berlin’s Holiday Inn at the Hayes Theatre.

Since graduating from NIDA in 1983, Ritchie has worked extensively across theatre, film and television.
Theatre highlights include: Doc in the national and international tour of West Side Story directed by Joey McKneely (Opera Australia/GWB), Dodge in Sam Shepard’s Buried Child directed by Kevin Jackson (NIDA), Hans in David Williamson’s The Department directed by Rodney Fisher (Theatre ACT), the Australian tour of Neil Simon’s The Odd Couple (female version) directed by Graham Blundell, Val in Laughter on the 23rd Floor directed by Adam Cook (Ensemble Theatre) and Bud in the national tour of Sweet Bird of Youth (Wilton Morley Productions), alongside Lauren Bacall.
Film favorites: Con in Crocodile Dundee, Bollinger in Cappucino and Ralph in Paperback Hero, Ben Bornstein in Two Brothers Running, Louie Lugarno in Airtight and Dr Symonds in Charlie’s Country.
Television credits include: Sam Emanuel in Kings in Grass Castles, Terry Madigan in Water Rats, Richard Shapiro in Dynasty: The Making of A Guilty Pleasure, Justice Rosenberg for Crownies and Youssef K in Mission Impossible.

Theatre Credits: Featured Vocalist in Do You Hear The People Sing (Enda Markey), Caroline in Fangirls (Belvoir production at Sydney Opera House), Polly/Cover in Dream Lover (Gordon Frost), Kate in Cho Cho San (Playking Productions), Sonia Walsk in They’re Playing Our Song (National Tour), Mama in Dogfight (Hayes Theatre Co), Diva/Marion in Priscilla Queen of the Desert (Back Row Productions), Mila Kuntz in Fat Swan (Showqueen Productions), Pam Lukowski in The Full Monty (Australian Tour), Julie Jordan in Carousel (The Production Company), Pearl in Sign of the Seahorse (Playbox/Windmill), Nikki Burns in Oh! What a Night (Majestic Theatre Co.), Maria Elena Holly in Buddy – The Musical (John Nicholls Productions), Shena in The Boy From Oz (Gannon/Fox), Jo Brand in The Voyage of Mary Bryant (Ensemble Theatre), Frenchy and Understudy for Charity in Sweet Charity (Mark Pennell), Featured Vocalist in The Music of Andrew Lloyd Webber Concert Tour (The Really Useful Group), Understudy for Belle in Beauty & the Beast (Disney Theatrical Productions), Ermengarde in Hello Dolly (Gordon Frost), Ensemble in Me & My Girls (Jon Nicholls Production), Understudy for Rosemary in How To Succeed in Business Without Really Trying.

Training: Queensland Conservatorium Griffith
Theatre credits include: Ali in the Australian tour of Mamma Mia! The Musical, multiple roles in Josephine Wants to Dance at both Arts Centre Melbourne and the Sydney Opera House, before a national tour, Hermia in A Midsummer Night’s Dream with Serpentine Arts Theatre Company, Tweedle Dum in Alice in Wonderland with SK Entertainment and as a featured soloist at the 2021 Queensland Symphony Orchestra’s Music Theatre Gala with Lorina Gore and Simon Gleeson. Nina was a part of the 2021 and 2022 School Touring performance team with Meerkat Productions, touring throughout QLD and NSW schools. During their studies, she also performed in roles such as the title character in The Drowsy Chaperone, Barbara Finn in Elegies: A Song Cycle and cast as Elphaba in Wicked (cancelled due to COVID-19).

Training: Elder Conservatorium Music Theatre (ECMT)
Theatre Credits Include: Daisy in Peppa Pig’s Fun Day Out LIVE! (AU/NZ Tour), Singer-Dancer/Host (Universal Studios Singapore), Penelope Pennywise in Urinetown: The Musical (ECMT), Ensemble/Fantine Cover in Les Misérables (ECMT), Featured Vocalist in In Pieces: A New Musical (ECMT), Ensemble/Paulette & Enid Cover in Legally Blonde (ECMT) and Choir in Chess (StoreyBoard Entertainment).

Theatre Credits Include: Wicked (Australasian Tour- Swing, Nessarose u/s), Frog Choir (Universal Beijing Resort), Cry-Baby the Musical (Hayes Theatre Co), The Adventures of Peter Pan and Tinker Bell (Bonnie Lythgoe Productions), West Side Story (Packemin Productions), Phantom of the Opera (Packemin Production)
Television Includes: The Deb (Dunburn Deb. Rebel Wilson), Dance Academy (ABC Studios)

Melbourne born, Andrew has built and enjoyed a distinguished and extensive 35 year career in Major Musical Theatre Productions throughout Australia, New Zealand and South East Asia.
Training: Voice and Singing Dr Robert Mitchell
Theatre Credits: The Phantom of the Opera 40th Anniversary Production on Sydney Harbour 2026 (Opera Australia), Annie – Bundles/Howe, Cover Warbucks/FDR Australian Tour 2025/26 (Crossroads Live), ELF the Musical – Mr Greenway – Sydney Opera House (Crossroads Live), Groundhog Day the Musical – Buster (Australian Premiere GWB Entertainment), Midnight the Cinderella Musical – Ensemble (World Premiere Aspect Entertainment), Carousel A Concert (Enda Markey), The Phantom of the Opera – Monsieur Lefevre/Fire Chief – Re-Imagined Production (Opera Australia & Cameron MacIntosh), CATS – Admetus, Old Deuteronomy, Gus/Growltiger/Bustopher Jones in over 1300 performances across Australia and Asia (Really Useful/GWB Entertainment), Love Never Dies – Ensemble Australian Premiere ( Really Useful), The Phantom of the Opera – Ensemble, Original Australian Tour (Cameron MacIntosh), Sweeney Todd – Ensemble (Life Like Touring), The Pirates of Penzance & A Funny thing Happened on the Way to the Forum ( Essgee Entertainment), Me and My Girl (Jon Nicholls), South Pacific (Production Company), Annie Get Your Gun & Carmen ( Victoria State Opera), Genesis to Broadway (Chapel off Chapel),Dido and Aeneas – Aeneas (St Martins Theatre) The Wind in the Willows – Mr Toad (Australian Shakespeare Co).
Other Theatre Credits: Possum Magic, Puff the Magic Dragon, The Tales of Peter Rabbit, Pinocchio the Greatest Little Show on Earth, The Magic Faraway Tree, Winnie the Pooh, Noddy a Toyland Musical, Hippo the Musical and My Grandma Lived in Gooligulch for Garry Ginivan AM.
Andrew is thrilled to be part of this exciting new production of Fiddler on the Roof.

Theatre credits include: Monsignor O’Hara in Sister Act (Xroads Live), Big Davy in Billy Elliot (LWAA), Tony in The Bodyguard (Xroads Live), Father in Violet (BlueSaint), Merv in Strictly Ballroom (Global Creatures), Carl Denham (Alt) in King Kong (Global Creatures), The Guide in Voyage De La Vie (RWS), Terpsicore in Xanadu (M Pennell), Amos Hart in Chicago (Xroads Live), Bob (alt) in Priscilla Queen of The Desert The Musical (Backrow Productions), Ensemble in Fiddler on The Roof (TML).

Training: Bachelor of Arts, Musical Theatre – Western Australian Academy of Performing Arts
Theatre Credits Include: Round the Twist (Queensland Theatre Company), The Woman in Black (Woodward Productions) Harry Potter and the Cursed Child ( Michael Cassel Group), The Who’s Tommy (Victorian Opera Company), Ragtime (The Production Company), Aladdin (Disney), My Fair Lady and South Pacific (Opera Australia), Fiddler on the Roof (TML Enterprises), Sunset Boulevard, Sweet Charity, Hello Dolly, Hair, The Music Man and How to Succeed in Business Without Really Trying (The Production Company), Bat Boy (Melbourne Theatre Company), The Threepenny Opera (West Australian Opera Company), The Merry Widow (RUG), Songs for a New World (Tipoki Productions), Les Miserables (Drum Theatre) and Sweeney Todd (CLK Theatre).
Film Credits Include: Allen, Upgrade, Purge and The Forest.
Television Credits Include: Glitch (ABC), Neighbours (Channel 10), Blue Heelers (Network 7), Prank Patrol (ABC) and Underbelly – Squizzy (Channel 9).

Theatre credits include: Standby Gaston & u/s Beast in Beauty and the Beast (Disney Theatricals), u/s Prince Topher in Rodgers + Hammerstein’s Cinderella (Crossroads Live & Opera Australia), Larry in A Chorus Line (Darlinghurst Theatre Company), Peter Pan in Shrek the Musical (GFO), Diesel in West Side Story (Handa Opera & Opera Australia), u/s Tin Man in The Wizard of Oz (GFO), Thoroughly Modern Millie, Hello, Dolly!, Dusty – the Original Pop Diva, Show Boat (all for The Production Company), Georgy Girl – the Seekers Musical (Georgy Girl Productions P/L), Chitty Chitty Bang Bang (TML Enterprises)
Recordings include: Singer/songwriter, THERAPY EP (2024)

Training: VCA (Music Theatre), Victorian College or the Arts Secondary School (Dance)
Theatre: Dance Captain/Swing in Wicked (Crossroads Live), Ensemble, Assistant Dance Captain, u/s Cogsworth, Lumiere & Maurice in Beauty and the Beast (Disney Theatrical Productions), Assistant Dance Captain, u/s Olaf/Weselton in Frozen the Musical (Disney Theatrical Productions), Turandot (Opera Australia) Swing and u/s Omar in Aladdin (Disney Theatrical Productions), La Cage Aux Folles (The Production Company), Company (VCA), Frank and Bryant’s The Silver Donkey workshop (Melbourne Theatre Company)
Film: Knowing (Ezekiel Films 2009)
Television: AFL NAB Cup Grand Final (Australian National Anthem Duet)

Training: Western Australia Academy of Performing Arts (WAAPA), Trained under Renie Ann Martini at the May Downs School of Dance
Theatre Credits Include: Production Dancer (Princess Cruises), Mungojerrie in CATS (WAAPA), Lyle in Footloose (WAAPA), Ensemble in Sweeney Todd (WAAPA), Swing in Assassins (WAAPA), Player in Hamlet (WAAPA), Actor in Manon (The Australian Ballet), Actor in Alice’s Adventures in Wonderland(The Australian Ballet).
Creative Credits Include: Choreographer of Broadway Baby (Round Theatre).

Training: Western Australian Academy of Performing Arts
Theatre Credits: Riff in West Side Story (Handa Opera on the Harbour/Opera Australia); Moulin Rouge de Musical (Stage Entertainment Netherlands), Understudy Bert in Mary Poppins (Michael Cassel Group); Elder Smith in The Book of Mormon (GFO); Priscilla: Queen of the Desert (Michael Cassel Group); Matilda the Musical (Louise Withers & Associates/Royal Shakespeare Company); M.C. in Georgie Girl the Seekers Musical (Sue Farrelly); Coricopat in CATS (The Really Useful Group); Comedian in A Very Naughty Christmas (Woodward Productions).

Training: Victorian College of the Arts Secondary School (Acting) and The Victorian College of the Arts (Musical Theatre)
Theatre Credits Include: Beauty and the Beast (Disney), It’s Only Life (AMTF), Alice in Wonderland (ASC), King Roger (Opera Australia)
Television Credits include: Warnie (9 Network) Preacher (Stan)
Alex is proudly represented by Ian White Management

Training: Guildford School of Acting; London University (BA Hons); Rose Bruford (MA); Canterbury University, NZ (Ph.D.)
Theatre Credit Include: in London/UK include –A Mirrored Monet (Charing Cross Theatre); Gentleman Prefer Blondes (Barbican); Tomfoolery (national tour); Party Pieces (Fortune Theatre); The Mysterious Disappearance of Mr. Winchlever (national tour); Merrily We Roll Along (Mermaid Theatre), and; The Amazing Tale of Good King Wenceslas (Warwick Arts Centre). In Aotearoa New Zealand – Chess (Kiri te Kanawa Theatre); Mary Poppins (The Civic), and;The Phantom of the Opera (The Civic).
Television Credits Include: Shortland Street(South Pacific Pictures); 42 for the Red Cross (Australia & Canada); Minder, and; Sherlock Holmes.

Training: Federation University (Bachelor of Music Theatre)
Theatre Credits Include: Elizabeth Hurley/Choreographer in Shane Warne: The Musical (Federation University), Maggie Winslow/Dance Captain in A Chorus Line (Federation University), Woodstock/Dance Captain/Swing in You’re a Good Man, Charlie Brown (MICF, StageBugs Productions)
Stage Management Credits: Fresno: The Musical, Motor Mouth Loves Suck Face

Training: Queensland Conservatorium, Griffith University
Theatre Credits Include: Reg Livermore’s Ned Kelly: The Musical (Victorian Opera), The Pirates of Penzance (Victorian Opera), A Christmas Carol (Marriner Group), Legolas in Lord of the Rings – A Musical Tale (GWB), Pete Twist in Round the Twist – The Musical (Queensland Theatre Company), Bill Black in Elvis: A Musical Revolution (DVE), Asher in Joseph and the Amazing Technicolor Dreamcoat (TML Enterprises), Henry in Next to Normal (James Terry Collective), Sneezy the Reindeer in Symphonic Santa (Queensland Symphony Orchestra).

Training: The Urdang Academy – London UK
Theatre Credits Include: Dirty Rotten Scoundrels (Hayes Theatre), Personality: The Lloyd Price Musical (Southbank Centre), Cabaret (Kit Kat Club, Playhouse Theatre), Jekyll & Hyde (Cecil Sharp House), Carousel (Regents Park Theatre), Dick Whittington (National Theatre), Matilda the Musical (Cambridge Theatre), West Side Story (Royal Exchange Theatre, Manchester), Hamilton (Victoria Palace Theatre), Jesus Christ Superstar (Regents Park Theatre & UK Tour), In The Heights (Kings Cross Theatre), Dirty Dancing (Secret Cinema), Damn Yankees (Clapham Theatre), Hairspray (Ireland Tour).
Television & Commercial Credits include: Blitz (Apple TV), The Greatest Dancer (BBC), Episodes (Channel 4), The Kingsman (20th Century Studios), Strictly Come Dancing (BBC), Brit Awards (ITV), Union J (UK Tour), Rita Ora (London), Hugh Jackman (London), Fleur East (Wimbledon Stadium), London Olympics.
Resident & Associate Credits: Associate Choreographer for All Is But Fantasy (The Royal Shakespeare Company), Associate Choreographer for Jesus Christ Superstar (Australian Tour), Resident Choreographer & Young Dance Supervisor for MJ The Musical (Prince Edward Theatre), Resident Choreographer for Jesus Christ Superstar (UK Tour).
Choreography Credits: Beauty & The Beast (They Storyhouse) A Tribute to DALIDA (Peacock Theatre), Soccerbible & Adidas (Documentary), AITOPIA (Young Vic Theatre), CAKE: The Marie Antoinette Musical (The Other Palace), Closer To Heaven (The Turbine Theatre), Wonderland in Alice (Theatre Peckham), Harry & Greta (New Wolsley Theatre), MODE (Elmhurst Ballet Company), RENT (Eve Lyon’s Studio Theatre), Carrie (Bernie Grants Arts Centre), Guap Gala (Natural History Museum), Wuthering Heights (Turbine Theatre), iNk’d (Pegasus Theatre), Bare: A Pop Opera (Eve Lyon’s Studio Theatre), Children of Eden (Union Theatre), IDENTITY (Edinburgh Fringe Festival), Piano Legends (UK Tour).
Christopher is extremely excited to be part of the Original Australian Company of Regents Park’s revival of Fiddler On The Roof.
Founded by Sir Howard Panter and Dame Rosemary Squire in 2017, Trafalgar Entertainment is an award-winning global live-entertainment business focussed on new productions, venue operations, live music and comedy, events and hospitality, Performing Arts education, ticketing, the distribution and filming of event cinema and TV live-streaming innovative content (from David Tennant in Macbeth to Taylor Swift) and the provision of great spaces where people can come together to share in the experience of live entertainment.
Trafalgar Entertainment is home to Trafalgar Theatres (with 21 venues in London, Sydney, and across the UK), Trafalgar Theatre Productions, Trafalgar Releasing (distributors of specialised content to over 13,000 cinemas, television and other broadcast platforms in more than 132 countries worldwide, with content ranging from Beyoncé to the Royal Opera House), Stagecoach Performing Arts, Drama Kids, Trafalgar Tickets, London Theatre Direct (one of the UK’s leading ticket retailers and distributors), Stagedoor, Jonathan Church Theatre Productions and Imagine Theatre (one of the UK’s biggest pantomime and family entertainment producers with 21 pantomimes in 2024/25).
Productions include: Kiss Me Kate starring Adrian Dunbar and Stephanie J. Block at London’s Barbican Theatre, The King and I in London and worldwide, The Merchant of Venice 1936 starring Tracy-Ann Oberman in partnership with the RSC, The Duchess (Of Malfi) starring Jodie Whittaker, Clueless, Jersey Boys, A Strange Loop, Jagged Little Pill, Anything Goes, The Curious Incident of the Dog in the Night-Time, The Rocky Horror Show, War Horse, and The Lehman Trilogy.
West End productions include: On Blueberry Hill, A Taste of Honey, A Day in the Death of Joe Egg, Equus, Education, Education, Education, Admissions, The Grinning Man, Apologia, and Killer Joe.
Established in 1932, the multi-award-winning Regent’s Park Open Air Theatre is one of the largest theatres in London (at a capacity of 1,304). Passionate about producing popular, enriching and unexpected theatre that provides a lens into the here and now, the scale and ambition of our productions together with our magical outdoor setting, makes us unique in the capital’s cultural landscape. In 2024 we welcomed over 180,000 people to our 27-week summer season.
Drew McOnie assumed the role of Artistic Director in January 2024, and James Pidgeon was appointed Executive Director in 2021.
Awards: Over the last fifteen years, our productions have won ten Olivier Awards, ten WhatsOnStage Awards, and four Evening Standard Awards. We were named London Theatre of the Year in 2017 by The Stage, and received the Highly Commended Award for London Theatre of the Year in 2021.
Notable productions: Our 2016 revival of Jesus Christ Superstar has just finished tours of both the UK and North America and is currently touring Australia. Our 2024 revival of Fiddler on the Roof transfers to the Barbican Centre this summer, followed by a major tour of UK & Ireland.
As a registered charity that receives no regular public subsidy, we rely entirely on earned income and charitable contributions. Nevertheless, we have maintained 36,000 tickets at £15 across the whole of 2025’s summer season, our BREEZE scheme enables those aged 18-25 to buy tickets for £10, and we regularly work with local charities.
Brian & Dayna Lee are a husband and wife team and the founders of AF Creative Media, a three time Tony Award and two time Olivier Award winning production company.
West End: Giant (Olivier Award), Fiddler On The Roof (Olivier Award), Moulin Rouge.
Broadway: Company (Tony Award), Moulin Rouge (Tony Award), Angels in America (Tony Award), Cabaret at the Kit Kat Club, The Who’s Tommy, Funny Girl and Dead Outlaw.
Off-Broadway: Here There Are Blueberries (Pulitzer Prize Finalist, Lucille Lortel Award), Becoming Eve (Drama League and Drama Desk Nominated).
Upcoming: Practical Magic based on the Warner Bros. film and the novel by Alice Hoffman, Jerry Herman’s Mrs. Santa Claus (Goodspeed Opera House), Nowhere Boy based on the 2009 film, The Birth of Loud about Leo Fender and Les Paul’s rivalry, the 25th anniversary production of The Laramie Project and several other projects.
Film: Executive Producing the upcoming films Jeremiah Zagar’s The Painted Bride starring Jeremy Allen White, Mandy Patinkin and Isabella Rossellini, The Housewife starring Naomi Watts and Luke Evans, Home Video starring Ben Platt and Triumph of the Will starring Shira Hass.
Brian and Dayna run a popular Instagram blog called @artsfoodfamily with over 129k followers, where they share their journey navigating their way through parenthood, life and the Big Apple. Their greatest achievement to date has been their amazing children, Ella, Emmy and Ezra.