鄭嘉欣Choreographer
鄭嘉欣Choreographer
Joseph Stein won the Tony Award and Drama Critics Circle Award for Fiddler on the Roof.
His other musicals include Zorba (Tony nomination, Drama Critics Circle Award); Rags (Tony nomination); The Baker’s Wife (Olivier Award nomination, London); Take Me Along (Tony nomination); Juno; Irene (starring Debbie Reynolds); The King of Hearts; All About Us; and Enter Laughing: The Musical (Lucille Lortel nomination, outstanding revival). He also co-authored, with Alan Jay Lerner, Carmelina; and with Will Glickman, Mr. Wonderful (starring Sammy Davis, Jr.), The Body Beautiful, and Plain and Fancy. His plays are Enter Laughing, Before the Dawn, and Mrs. Gibbons’ Boys.
Stein grew up in the Bronx and first became a social worker while pursuing writing on the side. He began his career in TV and radio, writing for The Sid Caesar Show, Your Show of Shows, Henry Morgan Show and many others, and for personalities including Tallulah Bankhead, Phil Silvers, Jackie Gleason and Zero Mostel. On Broadway he made his debut contributing to the theatrical revues Lend an Ear (featuring Carol Channing) and Alive and Kicking. He wrote the screenplays of Enter Laughing and Fiddler on the Roof, for which he won the Screen Writers Guild Award. In 2008, he was inducted into the Theatre Hall of Fame.
Sheldon Harnick’s career began in the 1950s with songs in revues e.g. The Boston Beguine, The Merry Little Minuet.
With Jerry Bock he created a number of memorable musicals, including Fiorello! (Tony Award, Pulitzer Prize), Tenderloin, She Loves Me (Grammy), Fiddler on the Roof (Tony), The Apple Tree, and The Rothschilds (subsequently revised as Rothschild & Sons).
Other collaborations: Rex (Richard Rodgers), A Christmas Carol (Michel Legrand), A Wonderful Life (Joe Raposo), The Phantom Tollbooth (Arnold Black, Norton Juster), and The Audition (Marvin Hamlisch). He wrote three musicals himself: Dragons, A Doctor in Spite of Himself, and Malpractice Makes Perfect.
Jerry Bock was born in New Haven, Connecticut on November 23rd, 1928. That was his first out-of-town try out.
Thirty years later, he and Sheldon Harnick gave birth to The Body Beautiful in Philadelphia. That was his fourth out-of-town try out. In between was Catch a Star, a fleeting revue that, according to critic Walter Kerr, posed the question; “What do you call something between a flop and a smash?” Kerr’s answer? “A flash”. Next, Jule Styne and Tommy Valano midwifed Bock, Larr Holofcener and George Weiss into birthing Mr. Wonderful starring Sammy Davis Jr. The title song and “Too Close For Comfort” are still active off springs.
Bock and Harnick’s celebrated collaboration yielded five scores in seven years. The Body Beautiful, Fiorello! (winner of Broadway’s triple crown: The Tony Award, The New York Critics’ Circle Award and The Pulitzer Prize in drama, the fourth musical to do so). Tenderloin, She Loves Me – (winner of Variety’s poll of critics as best musical, citing Bock and Harnick as best composer and lyricist). Fiddler on the Roof — (nine Tonys, notably the citation for best musical of the year), The Apple Tree and The Rothschilds.
In addition to the 1989 silver anniversary production of Fiddler (from which a major excerpt was featured in Jerome Robbins’ Broadway), a highly esteemed revival of The Rothschilds enjoyed a successful run off-Broadway the following year. Since then, Bock and Harnick were triply honored by being inducted into the Theater Hall of Fame, receiving the Johnny Mercer Award from the Songwriters Hall of Fame and the Spirit of American Creativity Award from the Foundation for a Creative America. But the “award” that Bock held near and dear was the honorary Doctor of Humane Letters degree from the University of Wisconsin. It was there that he met his wife Patti, and it was there that he decided to be a composer. Mr. Bock was a member of a number of professional guilds and associations, among which the BMI Foundation, Inc. was a membership he relished. As for Patti, his wife, George, their son and Portia, their daughter, Bock confessed they were his longest running hit. Jerry Bock passed away in 2010.
JEROME ROBBINS is world renowned for his work as a choreographer of ballets as well as his work as a choreographer and director in theater, movies and television. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. His last Broadway production in 1989, Jerome Robbins Broadway, won six Tony Awards including best musical and best director.
Among the more than 60 ballets he created are Fancy Free, Afternoon of a Faun, The Concert, Dances At a Gathering, In the Night, In G Major, Other Dances, Glass Pieces and Ives, Songs, which are in the repertories of New York City Ballet and other major dance companies throughout the world. His last ballets include A Suite of Dances created for Mikhail Baryshnikov (1994), 2 & 3 Part Inventions (1994), West Side Story Suite (1995) and Brandenburg (1996).
In addition to two Academy Awards for the film West Side Story, Mr. Robbins has received four Tony Awards, five Donaldson Awards, an Emmy Award, the Screen Directors’ Guild Award, and the New York Drama Critics Circle Award. Mr. Robbins was a 1981 Kennedy Center Honors Recipient and was awarded the French Chevalier dans l’Ordre National de la Legion d’Honneur. Mr. Robbins died in 1998.
Select Credits: Fiddler On The Roof (Regent’s Park Open Art Theatre: Olivier Award for Best Musical Revival), Dark Disabled Stories (Public Theater & Bushwick Starr: Obie Award for Best New American Play); Rags Parkland Sings The Songs of The Future (Ars Nova: Lucille Lortel Award for Outstanding New Musical); Singlet (The Bushwick Starr); A Ride On The Irish Cream (American Realness Festival, American Repertory Theater); The Miserly Knight and The Dead City (Bard Summerscape); Dialogues of The Carmelites (Opera Philadelphia/Curtis Opera Theatre).
Jordan co-directed the London transfer of Rodgers & Hammerstein’s Oklahoma! at The Young Vic (Olivier Award for Best Revival of a Musical) and was the Associate Director for the 2019 Broadway Revival (Tony Award for Best Revival of a Musical). He is the Director of The Prologue and Associate Director on the current West End and Broadway revival of Kander and Ebb’s Cabaret (Olivier Award for Best Revival of a Musical).
Upcoming: Jordan will direct a new production of Stephen Sondheim and James Lapine’s Into The Woods at The Bridge Theatre, premiering December 2025.
Tom’s work as Set Designer, Costume Designer and Director spans Live Music, Theatre, Opera, Dance, Fashion and Exhibition.
Amongst his collaborators are Alexander McQueen, The Pet Shop Boys, Self Esteem, Christine and the Queens, Sam Smith, Olivier Sim, MTV, V&A, Akram Khan Co, Hofesh Shechter Co, Rebecca Frecknall, Jordan Fein, Nadia Latif and Carrie Cracknell. Over the last 18 years his designs have appeared on Broadway and the West End, The Metropolitan Opera House – New York, Royal Danish Opera – Copenhagen, Canadian Opera – Toronto, Greek National Opera – Athens, Opera Australia – Melbourne, The Royal Opera House – London, ENO, Scottish Opera, Opera North, Regents Park Open Air Theatre, the National Theatre, the RSC, the Almeida, the Donmar Warehouse and the Lyric Theatre.
Awards include: Olivier Award ‘Best Set Design’ 2025 — Fiddler On The Roof, Tony Award ‘Best Scenic Design of a Musical’ 2024 – Cabaret at the Kit Kat Club NYC, Evening Standard Award and Critics Circle Award ‘Best Design’ 2022 – Cabaret at the Kit Kat Club LDN, Critics Circle Award ‘Best Design’ 2019 – A Very Expensive Poison, Whatsonstage award ‘Best Set Design’ 2013 – Constellations & 2019 – Little Shop of Horrors. Civic Trust Pro Tem Award (2023), Linbury Prize for Stage Design 2007. RIBA National and London award for Kit Kat Club at The Playhouse (2023).
Award Nominations Include: Olivier Award nominations ‘Best Costume Design’ 2025 – Fiddler on the Roof and 2022 – Cabaret at the Kit Kat Club LDN. Tony Award nominations ‘Best Costume Design for a Musical’ 2024 — Cabaret at the Kit Kat Club NYC and ‘Best Costume Designer for a Play’ 2016 – King Charles III. Stage Debut award nominations ‘Best Director’ 2019 – Berberian Sound Studio.
Julia Cheng’s work as a creative director and choreographer has been presented internationally, including her critically acclaimed choreography on Cabaret at the Kit Kat Club in London’s West End and on Broadway. It was also nominated for the 2022 Olivier Award (Best Theatre Choreography), 2024 Chita Rivera Award (Outstanding Choreography), and the winner of Stage Debut Awards.
Recent work includes Fiddler on The Roof at Regent’s Park Open Air Theatre, winner of Olivier Awards 2025 for Best Musical Revival and also nominated for Best Theatre Choreography as well as Best Choreography at WhatsOnStage Award 2025.
She has received commissions from Sadler’s Wells, V&A Museum, Institute of Contemporary Art, Royal Opera House, Royal Shakespeare Company, Kings Place, Scottish Ballet, Regent’s Park Open Air Theatre, London Jazz Festival, and Wilderness Festival, among many others. She believes in crossing boundaries of creative contexts, and the ability to challenge the ecology of the artistic landscape. From 2025 until 2028, Julia will be Artist-in-Residence at Southbank Centre.
Collaborators include Philharmonia Orchestra, poet Lavinia Greenlaw, musicians Shingai, Floacist, composer Simon McCorry, artist/sculptor Laila Muraywid, curator Kerry Campbell, and theatre director/activist Daniel York-Loh, and also featured in campaigns for Dr Martens, Wella, Audi, Honda, and Vogue Italia.
Theatre credits include: Kyoto (RSC/Soho Place); Twelfth Night (Regents Park Open Air Theatre); Dracula (National Theatre Scotland); Tess of the d’Ubervilles (Peacock Theatre); Lemons Lemons Lemons Lemons Lemons (Pinter Theatre); You Bury Me (Bristol Old Vic); Duet For One (Orange Tree); The Clothes They Stood Up In (Nottingham Playhouse); Wonder Boy (Bristol Old Vic); Running With Lions (Lyric Hammersmith); Hamlet (Young Vic); Old Bridge (Bush Theatre); A Kind Of People (Royal Court); Death of a Salesman (Young Vic & Piccadilly Theatre); A Monster Calls (Old Vic / Bristol Old Vic / Parco Japan); Brighton Rock (York Theatre Royal); La Strada (The Other Palace); Jane Eyre & Peter Pan (National Theatre & Bristol Old Vic); Hetty Feather (Duke of York); A Raisin in the Sun (Sheffield Theatre).
Musical credits include: Fiddler On The Roof, Carousel (Regents Park Open Air Theatre); Talent (Sheffield Theatre); Now Is Good (Storyhouse); Worst Witch (Vaudeville).
Dance credits include: Outwitting The Devil and Kaash (Akram Khan Co); Darbar Festival (Sadlers Wells); Unkindest Cut (Sadhana); Time Over Distance Over Time (Liz Roche); La Tete (Jasmin Vardimon).
Opera credits include: Ariodante, Turn of the Screw, The Marriage of Figaro, A Midsummers Night’s Dream, Mary Queen of Scots, Cosi Fan Tutte, Jenufa and Tosca (English Touring Opera).
Architectural credits include: Sadlers Wells East Foyer.
Olivier nomination 2025 for Best Lighting Design (Fiddler on the Roof). Profile Award Honorable Mention 2024 for Dracula Mina’s Reckoning. Knights of Illumination nomination 2019 for Best Lighting Design (Death of A Salesman).
Theatre credits include: Cabaret @ The Kit Kat Club London & August Wilson NY; Tammy Faye (The Palace Theater NY); Natasha and Pierre and the Great Comet of 1812 (Donmar Warehouse); Fiddler on the Roof & La Cage Aux Folles (OAT RP); Yeomen of the Guard (ENO); Jesus Christ Superstar (50th Anniversary US & UK & Australia Tour); Evita; Little Shop of Horrors; The Turn of the Screw (OAT RP); City of Angels (Garrick); Sweet Charity, Pacific Overtures, Parade, Passion, Spelling Bee, The Vote (also Channel 4), Committee… (Donmar Warehouse); Martin Guerre (UK Tour); Miss Saigon (UK Tour/Japan/Sweden); Les Misérables (UK Tour/Berlin/Belfast/Scandinavian Arena Concert Tour); Sweeney Todd (Royal Opera House/ENO); Chitty Chitty Bang Bang (UK Tour); Sinatra (Palladium/UK Tour); Nicholas Nickleby (Chichester Festival); On the Town (ENO); Mother Courage (National Theatre); Privates on Parade (Noel Coward); A Chorus Line (Palladium); Urinetown (Apollo); The Last Five Years (The Other Palace); Kiss Me, Kate (Opera North/UK & European Tour); Calendar Girls (UK Tour); The Band (UK Tour/Berlin).
Awards include: 2024 Drama Desk Award for Best Sound Design, Cabaret at The Kit Kat Club, 2024 Tony Award Nomination for Best Sound Design, Cabaret at The Kit Kat Club, August Wilson NY, 2022 Olivier Award for Best Sound Design, Cabaret at The Kit Kat Club London. 2025 Olivier Award for Best Sound Design, Fiddler on the Roof at Regent’s Park Open Air Theatre.
Olivier Award Nominations for Jesus Christ Superstar (OAT RP); Pacific Overtures (Donmar Warehouse); Parade (Donmar Warehouse); Mother Courage (NT).
Mark won the 2025 Laurence Olivier award for Outstanding Musical Contribution for his work on The Curious Case of Benjamin Button.
Musical Supervisor credits include: The Curious Case of Benjamin Button (Ambassador’s Theatre – Winner “Best New Musical” – Oliviers 2025), The Lord of the Rings (Sydney State Theatre, Watermill and Worldwide), Fiddler on the Roof (Regent’s Park Open Air Theatre – Winner “Best Musical Revival” – Oliviers 2025), Titanic (UK and International Tours, Worldwide Cinemas), Ragtime (Charing Cross Theatre).
Musical Director credits include: Sinatra (Birmingham Rep), Anything Goes (Barbican/UK Tour), City of Angels (Garrick Theatre), Perfect Show for Rachel (Barbican), West Side Story, Guys and Dolls and Sweet Charity (Royal Exchange, Manchester), The Band (UK Tour), Three Phantoms (Parisian Theatre), The Wicker Husband (Workshop), Travels With My Aunt (World Premiere, Chichester Festival Theatre), The Smallest Show On Earth (World Premiere, UK tour), Titanic (Princess of Wales, Toronto & Southwark Playhouse), The Roles I’ll Never Play (St. James Theatre), Mack And Mabel (Southwark Playhouse), Cinderella (Qdos, Cliffs Pavilion).
Assistant Musical Director credits include: & Juliet (Manchester), City of Angels (Donmar Warehouse), The Pajama Game (Shaftesbury Theatre).
Film credits include: The End (2024), Cyrano (2022), Jingle Jangle (2020), Cats (2019). Mark’s orchestrations for actor-musicians are being performed in The Curious Case of Benjamin Button (Ambassador’s) and The Lord of The Rings (Australian Tour). Previous orchestration work includes Ragtime (Charing Cross Theatre) and additional orchestrations for Fiddler on the Roof (Regent’s Park Open Air Theatre).
Nina began her career at the National Opera and Ballet in Amsterdam, then spent nearly a decade at the Royal Opera House in London before moving into the West End and Film/TV industries.
Theatre includes: & Juliet (UK Tour); Harry Potter and the Cursed Child (London, Hamburg, Tokyo); Spring Awakening (Almeida Theatre); Midsummer Night’s Dream (Bridge Theatre); Orpheus Descending (Chocolate Factory/Theatre Clwyd); Company (West End).
Television and Film includes: The Serpent Queen; Prisoners of Paradise.
Stuart is the recipient of 5 CDG Awards for best casting in theatre.
Credits include: Sunset Boulevard (Broadway/Savoy Theatre. Olivier Award for Best Musical Revival); Much Ado About Nothing, The Tempest (Theatre Royal Drury Lane); Standing at the Sky’s Edge (Gillian Lynne Theatre/National Theatre/Sheffield Theatres. Olivier Award for Best New Musical); Romeo and Juliet (Duke of York’s Theatre); Cabaret (Kit Kat Club/Playhouse Theatre. Olivier Award for Best Musical Revival); Sister Act (Dominion Theatre/Eventim Apollo/UK Tour); Little Shop of Horrors (Regent’s Park Open Air Theatre); Muriel’s Wedding (Leicester Curve); Just For One Day (Old Vic/Toronto); Mrs Doubtfire (Shaftesbury Theatre/Manchester Opera House); Sylvia (Old Vic); The Seagull (Harold Pinter Theatre. Nominated for WhatsOnStage Award for Best Casting Direction); Chariots of Fire, White Christmas, Miss Saigon, She Loves Me, Guys and Dolls (Sheffield Crucible); Here You Come Again (Leeds Playhouse/Riverside Studios/UK Tour); The Outrun (Edinburgh International Festival); & Juliet (Shaftesbury Theatre/UK Tour); Cyrano de Bergerac (Playhouse Theatre/Theatre Royal Glasgow/BAM); The Drifters Girl (Garrick Theatre); Joseph and the Amazing Technicolor Dreamcoat (London Palladium/UK Tour/Toronto); East is East (National Theatre/Birmingham Rep); Betrayal (Harold Pinter Theatre/Broadway); Pinter at the Pinter (Harold Pinter Theatre); The Two Character Play (Hampstead Theatre); The Seagull, A Doll’s House (Lyric Hammersmith); The Rocky Horror Show (UK Tour/European Tour); The Madness of George III (Nottingham Playhouse); Doctor Faustus (Duke of York’s); The Maids, The Homecoming, The Hothouse, The Ruling Class, Richard III, Macbeth, The Spoils, Buried Child, The Pride (Trafalgar Studios); The End of Longing, Women on the Verge of a Nervous Breakdown (Playhouse Theatre).
Film & TV credits include: The Ashley Madison Affair (Hulu); Dance 100 (Netflix); Locked Up Abroad (National Geographic); Dr Seuss’ The Grinch Musical! (NBC/Sky); Everybody’s Talking About Jamie (Ballroom Dancer Casting. Warp Pictures).
Founded by Sir Howard Panter and Dame Rosemary Squire in 2017, Trafalgar Entertainment is an award-winning global live-entertainment business focussed on new productions, venue operations, live music and comedy, events and hospitality, Performing Arts education, ticketing, the distribution and filming of event cinema and TV live-streaming innovative content (from David Tennant in Macbeth to Taylor Swift) and the provision of great spaces where people can come together to share in the experience of live entertainment.
Trafalgar Entertainment is home to Trafalgar Theatres (with 21 venues in London, Sydney, and across the UK), Trafalgar Theatre Productions, Trafalgar Releasing (distributors of specialised content to over 13,000 cinemas, television and other broadcast platforms in more than 132 countries worldwide, with content ranging from Beyoncé to the Royal Opera House), Stagecoach Performing Arts, Drama Kids, Trafalgar Tickets, London Theatre Direct (one of the UK’s leading ticket retailers and distributors), Stagedoor, Jonathan Church Theatre Productions and Imagine Theatre (one of the UK’s biggest pantomime and family entertainment producers with 21 pantomimes in 2024/25).
Productions include: Kiss Me Kate starring Adrian Dunbar and Stephanie J. Block at London’s Barbican Theatre, The King and I in London and worldwide, The Merchant of Venice 1936 starring Tracy-Ann Oberman in partnership with the RSC, The Duchess (Of Malfi) starring Jodie Whittaker, Clueless, Jersey Boys, A Strange Loop, Jagged Little Pill, Anything Goes, The Curious Incident of the Dog in the Night-Time, The Rocky Horror Show, War Horse, and The Lehman Trilogy.
West End productions include: On Blueberry Hill, A Taste of Honey, A Day in the Death of Joe Egg, Equus, Education, Education, Education, Admissions, The Grinning Man, Apologia, and Killer Joe.
Established in 1932, the multi-award-winning Regent’s Park Open Air Theatre is one of the largest theatres in London (at a capacity of 1,304). Passionate about producing popular, enriching and unexpected theatre that provides a lens into the here and now, the scale and ambition of our productions together with our magical outdoor setting, makes us unique in the capital’s cultural landscape. In 2024 we welcomed over 180,000 people to our 27-week summer season.
Drew McOnie assumed the role of Artistic Director in January 2024, and James Pidgeon was appointed Executive Director in 2021.
Awards: Over the last fifteen years, our productions have won ten Olivier Awards, ten WhatsOnStage Awards, and four Evening Standard Awards. We were named London Theatre of the Year in 2017 by The Stage, and received the Highly Commended Award for London Theatre of the Year in 2021.
Notable productions: Our 2016 revival of Jesus Christ Superstar has just finished tours of both the UK and North America and is currently touring Australia. Our 2024 revival of Fiddler on the Roof transfers to the Barbican Centre this summer, followed by a major tour of UK & Ireland.
As a registered charity that receives no regular public subsidy, we rely entirely on earned income and charitable contributions. Nevertheless, we have maintained 36,000 tickets at £15 across the whole of 2025’s summer season, our BREEZE scheme enables those aged 18-25 to buy tickets for £10, and we regularly work with local charities.
Brian & Dayna Lee are a husband and wife team and the founders of AF Creative Media, a three time Tony Award and two time Olivier Award winning production company.
West End: Giant (Olivier Award), Fiddler On The Roof (Olivier Award), Moulin Rouge.
Broadway: Company (Tony Award), Moulin Rouge (Tony Award), Angels in America (Tony Award), Cabaret at the Kit Kat Club, The Who’s Tommy, Funny Girl and Dead Outlaw.
Off-Broadway: Here There Are Blueberries (Pulitzer Prize Finalist, Lucille Lortel Award), Becoming Eve (Drama League and Drama Desk Nominated).
Upcoming: Practical Magic based on the Warner Bros. film and the novel by Alice Hoffman, Jerry Herman’s Mrs. Santa Claus (Goodspeed Opera House), Nowhere Boy based on the 2009 film, The Birth of Loud about Leo Fender and Les Paul’s rivalry, the 25th anniversary production of The Laramie Project and several other projects.
Film: Executive Producing the upcoming films Jeremiah Zagar’s The Painted Bride starring Jeremy Allen White, Mandy Patinkin and Isabella Rossellini, The Housewife starring Naomi Watts and Luke Evans, Home Video starring Ben Platt and Triumph of the Will starring Shira Hass.
Brian and Dayna run a popular Instagram blog called @artsfoodfamily with over 129k followers, where they share their journey navigating their way through parenthood, life and the Big Apple. Their greatest achievement to date has been their amazing children, Ella, Emmy and Ezra.